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Plateau’s Creative Spark Ignites: State Hosts First-Ever Creative Industry Meet to Fuel Tourism & Innovation

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Move over, gold rush—Plateau’s newest treasure isn’t buried underground. It’s dancing in studios, echoing in music studios, lighting up film sets, and painting the town with bold strokes of imagination. And this week, the state officially rolled out the red carpet for its creative class at the inaugural Plateau Creative Industry Engagement, themed “Unlocking the Creative Economy for Sustainable Tourism and Innovation.”

Organised by the Plateau State Ministry of Tourism, Culture and Hospitality, the landmark event gathered artists, policymakers, filmmakers, sound engineers, tax officials, and cultural custodians under one roof—not just to talk shop, but to plot a bold new economic future powered by creativity.

Hon. Cornelius Doeyok, the state’s dynamic Commissioner for Tourism, Culture and Hospitality, didn’t mince words: “Plateau’s creative sector is a hidden goldmine.” He painted a vivid picture of a state bursting with talent but held back by a lack of data, coordination, and investment. “Creativity alone isn’t enough,” he said. “We need to turn it into value—into jobs, into tourism, into global recognition.”

Doeyok stressed that while the government can set the stage, it’s up to creatives themselves to step into the spotlight and build sustainable businesses. “This isn’t a handout—it’s a partnership,” he declared, promising his ministry would work to create an ecosystem where ideas can thrive and artists can earn.

The day’s highlight? A powerhouse panel that read like a who’s who of Plateau’s creative and policy elite:

Bomkam Wuyep (Director General, PLASMIDA)
Dr. Jim Pam Wayas (Chairman, Plateau State Internal Revenue Service)
Owen Dagogot (House Committee on Tourism)
Suka Andrew (world-renowned sound engineer)
James Laman (project management guru)
Chuwang Pwajok (General Manager, Plateau Tourism Corporation)
– And the Commissioner himself, anchoring the conversation.

Together, they tackled everything from tax policies that don’t strangle startups to how creatives can better collaborate with the government. The consensus? Creativity isn’t just culture—it’s capital.

The creatives didn’t hold back—and they weren’t just grateful; they were galvanised.

Gabriel Hodus (aka Elmore), Governor of the PMAN Plateau chapter, called the event a “new dawn” and urged fellow artists to unite. “When we speak with one voice, we can’t be ignored,” he said.

Actress and AGN Plateau Chair Augusta Isaac acknowledged the shadow of insecurity that once dimmed Jos’s creative glow—but insisted the flame never went out. She announced a bold new initiative: “Catch Them Young,” a school-based talent hunt to train the next generation of actors and rebuild Plateau’s rep as Nigeria’s creative heartbeat.

Gospel sensation Neken Chuwang struck a practical note: “Reward us fairly, and we’ll create more.” He also warned that the current APCON taxation framework could suffocate emerging talent if not reformed.

Comedian and digital creator Sunday Agbaji (Hilarious Sunnie) praised the government’s genuine outreach: “This isn’t just photo ops—it’s direction,” he said, urging fellow creatives to show up, speak up, and stay engaged.

And then came the mic-drop moment from veteran Nollywood icon Sani Mu’azu. Calling for “transparency, clear policies, and better security,” he revealed an ambitious plan in the works: a Jos Film Village—a one-stop hub for local and international productions, modelled after successful setups in Morocco and South Africa. “Let’s bring the cameras back to Jos,” he urged.

Closing the event, Barr. Ezra Jinang, Senior Special Assistant on Creativity to the Governor, gave a vote of thanks—and a promise. Expect more seminars on taxation, content monetisation, and legal rights for creatives across the state. This, he said, is just the beginning.

Is Plateau about to become Nigeria’s next creative capital? With talent this deep, leadership this engaged, and vision this clear—the answer might just be playing at a cinema near you soon.

 

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Grammy-Winning Singer Talay Riley Dies at 35 After Stabbing Incident in UK

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British-Nigerian singer and songwriter Talay Riley has died at the age of 35 following a stabbing incident in East London, United Kingdom.

The singer, whose real name is Yinka Mark Orabiyi, reportedly died on June 5, 2026, after being attacked with a knife.

According to police reports, officers responded to emergency calls regarding a stabbing on Pankhurst Avenue. Emergency services later found the victim with multiple stab wounds in the garden of a property on Rayleigh Road.

Despite efforts by paramedics to save his life, he was pronounced dead at the scene.

Another man in his 20s was also injured in the incident and was taken to hospital with multiple stab wounds. He is currently receiving treatment for injuries that are not considered life-threatening.

The Metropolitan Police said two men aged 27 and 24, along with a 25-year-old woman, were arrested near the scene on suspicion of murder. However, the 24-year-old man and the woman have since been released with no further action, while the 27-year-old suspect has been released on bail pending further investigations.

Homicide detectives from the Specialist Crime Command have launched a full investigation into the circumstances surrounding the attack and have appealed for witnesses who may have been in the area at the time to come forward.

Talay Riley was known in the music industry for his songwriting contributions, having worked with several international stars including Dua Lipa, Usher, Craig David, Chris Brown, Nick Jonas, and Britney Spears.

Tributes have continued to pour in from family, friends, and colleagues.

In a statement, his family described him as “a beloved son, brother, uncle, and friend” who brought “love, light, and joy” to those around him.

His brother, songwriter Scribz Riley (Michael Orabiyi Riley), paid an emotional tribute, describing him as a mentor and inspiration, and expressing shock at his sudden death.

Industry figures including Stormzy, Craig David, Kehlani, Khalid, and Chip also shared condolences, celebrating his talent, kindness, and legacy in music.

Position Music, his record label, described him as “an extraordinary songwriter and artist whose impact will be felt for generations,” adding that his creative legacy would continue to live on.

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Jerry Jallo Unveils ‘Creative Godfather’ Identity, Reinforces Commitment to Mentorship and Creative Development

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Renowned Nigerian creative director, media strategist, storyteller, and producer, Jerry Jallo, has officially unveiled a new professional identity known as the “Creative Godfather,” a title that reflects his long-standing commitment to mentoring, connecting, and nurturing talents within Nigeria’s growing creative industry.

The unveiling marks a significant milestone in Jallo’s career, which spans more than 17 years across film, photography, design, theatre, branding, music, communications, exhibitions, and live events. Beyond a personal rebranding exercise, the new identity symbolizes his evolution from being solely a creative practitioner to becoming a builder of people, ideas, and opportunities within the creative ecosystem.

Speaking on the development, Jallo explained that the title is not intended to portray superiority or dominance but rather to acknowledge the role he has increasingly played in helping creatives discover their potential, sharpen their skills, and bring their ideas to life. According to him, the identity represents a deeper commitment to innovation, originality, collaboration, and sustainable growth within the industry.

Jallo’s creative journey began professionally at the age of 15. Over the years, he has credited mentors, including Wale Adesanya, alongside practical experiences gained through production environments, training programmes, and church communities, for shaping his creative philosophy and work ethic.

Despite his influence across various sectors of the industry, much of Jallo’s work has taken place behind the scenes. He has contributed to numerous productions, media campaigns, cultural initiatives, exhibitions, theatre projects, and major events, quietly building a reputation as a creative force and mentor whose impact extends beyond the spotlight.

The unveiling of the “Creative Godfather” identity now publicly recognizes a role that many within the creative community believe he has been performing for years. Industry colleagues and collaborators have often described him as a bridge-builder who brings together creatives from different backgrounds to execute impactful projects and inspire innovation.

In keeping with that philosophy, the unveiling project itself was a collaborative effort involving several creatives, including Satuna Peter, David Alao, Madung Gyang, David Thomas, and others. Their contributions underscore Jallo’s belief that true creative leadership is rooted in teamwork, shared vision, and collective growth rather than individual achievement.

Throughout his career, Jallo has played key roles in notable initiatives such as Enchanting Plateau and Experience Plateau, where he served as a creative director. He has also earned recognition in the theatre space through the creation and direction of the acclaimed Monologues of Debauchery series, while producing landmark events such as the viral Funeral Service – Death of Self (FSDS) Concert.

Beyond these projects, he has remained actively involved in several creative enterprises, including Aweytu’s Creative Vineyard, Blacc Urban Studios, and 300 Empire Enterprises, contributing to the growth and visibility of creative talent and cultural expression.

Looking ahead, Jallo says the unveiling signals the beginning of a new chapter focused on strengthening creative communities, creating platforms for emerging talents, fostering meaningful collaborations, and leveraging storytelling as a tool for cultural transformation and social development.

“The goal remains simple,” Jallo said. “Create exceptional work, build meaningful relationships, and leave the creative ecosystem stronger than it was found.”

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