When I reach out to the self-proclaimed “open source baddie” CC for an interview, I’m pretty sure she’s emailing me back from a pink mermaid purse.
“I’m just having so much fun,” she tells me about her seashell cyberdeck. “It’s a Tamagotchi. It’s also an e-reader. It’s networked to my vault and my servers, so it has access to all of my server data, which has all my PDFs, and books, and notes, and everything… It’s also connected to my local AI setup at home.”
CC has no background in software engineering or computer science, but she’s gotten good enough at building unconventional cyberdecks — small DIY computers — that she documents the process on her blog Bimbo Tech so that other women can follow her lead, even if they don’t yet know what RAM is.
The idea of the cyberdeck originated in William Gibson’s 1984 sci-fi novel “Neuromancer,” and when credit card-sized computers like the Raspberry Pi came on the market in the 2010s, hardware enthusiasts began building and sharing their own cyberdecks in niche online communities. But over the last few months, these communities have exploded in popularity thanks to women on social media who are teaching each other to build artistic, hyper-feminine computers by documenting their building processes.
“I have a running joke that there’s this underlying misogyny in tech — because whenever they release a pro model, or an elite model… I’m always like, let me guess, it’s black or silver,” CC said. “It’s never going to come in pink.”
The process of customizing and designing a cyberdeck has become an art form in itself. On Instagram and TikTok, you can find a cyberdeck made of wood and moss that runs Game Boy Color games; a desert-inspired MP3 player built inside a 3D-printed fossil; a Barbie dollhouse that opens up to reveal a functional mini-computer; or a duck figurine that can be used to record voice notes.
CC’s cyberdeck during the building processImage Credits:CC / Bimbo Tech
“I don’t want Meta AI glasses. I want to pirate books in a tiny embellished shell,” said the creator Sarahbelle Kim on TikTok. “No one can surveil you there. You can get some basic parts at the thrift store or eBay and just customize it.”
There’s obviously an aesthetic motivation to the rise of girly cyberdecks — why not use a Hello Kitty purse to check your email? It’s fun for the sake of fun. But the women building these over-the-top, bedazzled cyberdecks aren’t in it for the glitter alone. This trend is reaching its peak at a time when people feel powerless against the omnipresent homogeneity of big tech.
“I think that’s such a refreshing thing for people who were sold these devices that are like Apple’s… If you try to jailbreak it, if you try to do anything to this phone that you paid $1,000 for, that you own, it’s out of warranty,” CC said. “So I just love seeing people taking the power back into their hands, taking the control back into their hands, which obviously always means creativity when people are given the means to go outside of the black box.”
Maro Vardanyan doesn’t work with hardware as a blockchain developer, but she’s always enjoyed collecting and tinkering with old computer parts.
“A few months ago, I just started as a hobby making art and jewelry pieces and purses with recycled or upcycled old computers I had,” she said. “When I saw everyone doing cyberdecks, I was like, wait, why am I just doing recycled and upcycled ones when I can actually preserve the pieces on something that’s wearable, that’s movable?”
Image Credits:Maro Vardanyan
Vardanyan has taken a different approach to building cyberdecks, opting instead to emphasize the historic relationship between fiber art and technology. Vardanyan refers to her work as “crocheting with computers” or “macrame motherboards,” deliberately nodding to the role of weaving — a practice often viewed as domestic, women’s labor — in the history of early computing.
Before silicon processors, some early computers ran on magnetic-core memory, made up of copper wiring that was precisely threaded to encode the 1s and 0s of binary code. In order for NASA to build the Apollo Guidance Computer, for example, expert women textile workers were tasked with meticulously weaving wires in painstakingly complex patterns, which powered the spacecraft that landed the first man on the moon.
Image Credits:Maro Vardanyan
“The original processor was handwoven by seamstresses, not by engineers or anybody else,” she said. “I feel like the hand weaving, and even the fashion-meets-technology… It’s so full circle.”
Vardanyan started weaving pink Raspberry Pis to make purses and corsets, then posted photos of her works-in-progress on X.
“Of course, when the macrame went viral, all of the men are like, ‘This is such a waste of the Raspberry Pi,’ … or, ‘what about the rain?’” she said. “And then I have to be like, ‘Actually, it’s preserved in an acrylic shell.’ And then they’re like, ‘This is so performative, and the GPIO is gonna lose energy!’ And I’m like, ‘Actually, I’m using a conductive thread, so it actually will move and be fully functioning.’”
grass cyberdeck (allat to play pokemon yellow 🥀). thoughts ↓ cyberdecks were never about making the “best” computer. they came out of Neuromancer (yes, i wrote my senior essay on it) as messy, personal machines. now it’s a whole maker subculture, but the core’s the same: control + identity + a quiet resistance to how polished tech has become. this one’s a grass cyberdeck, wood + moss + exposed parts. something that feels a little alive, a little off. built on a Raspberry Pi, nothing fancy. honestly a simple build, just wanted to show how easy it is to make something like this in your bedroom (i post my pc a lot, but this is just as cool). it’s not trying to compete with a GeForce RTX 4090 or be practical. it’s more about rejecting the “black box” (our everyday sealed, untouchable devices) and leaning into radical ownership, something you can open, understand, and actually call yours. more optimization soon 🙂 #cyberdeck#pokemonyellow#reelsinstagram#hardware
CC has also encountered condescending men on the internet who balk at the idea that someone would use a Raspberry Pi on something as frivolous as a seashell purse computer during a RAM shortage.
“This guy on Reddit was like, ‘You built your first computer a month ago, calm the f— down.’ Mind you, I’ve been building PCs for years,” CC said. “So, long story short, he ends up apologizing and buying me the circuit board for my next cyberdeck.”
From CC’s mermaid purse computer to Vardanyan’s Raspberry Pi corset, these cyberdecks are a direct rejection of Silicon Valley culture, and not just in their egregious embrace of the color pink. They’re impractical and inefficient on purpose, which seems sacrilegious in a culture so obsessed with optimization that unregulated Chinese peptide injections are trendy. It’s a radical act to opt for hacky, DIY tech experiences in order to forge a closer relationship with the devices that feel so abstract despite their ubiquity.
“Ten years ago, I would walk into a conference, there would be three girls, and people would literally just be like, ‘Were you hired for the marketing team?’” Vardanyan said. “I can’t even tell you how amazing it is seeing so many girls all over my social media and Instagram being into hardware, being into software, and then educating [each other], and that’s definitely the energy that we’re missing on every level in society.”
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Former Plateau State Governor and elder statesman, Senator Jonah David Jang, has voiced strong opposition to proposals that would allow Hausa/Fulani residents in Plateau State to obtain indigene certificates, describing the issue as one with far-reaching implications for the state’s cultural heritage, identity, and indigenous rights. Jang made his position known while addressing ongoing debates surrounding citizenship, residency, and indigeneity, topics that have remained at the center of political and social discussions in Plateau State for decades.
According to the former governor, indigene certificates are historically linked to communities and ethnic groups recognized as the original inhabitants of Plateau State and should not be granted solely on the basis of long-term residence. He argued that while every Nigerian has the constitutional right to live and conduct lawful activities anywhere in the country, such rights should not automatically translate into indigene status, which he said carries unique cultural and historical significance.
Jang further maintained that preserving the distinction between residents and indigenes is necessary to protect the interests, heritage, and political representation of indigenous communities. He warned that altering the existing framework could create tensions and undermine the rights of groups that have historically been recognized as native to the state. The former governor emphasized the need for careful consideration of any policy changes relating to indigene certificates to avoid unintended consequences.
The comments have since generated mixed reactions among stakeholders across the state and beyond. While supporters of Jang’s position argue that protecting indigenous identity is essential for maintaining social and cultural balance, others contend that individuals who have lived in Plateau for generations should be afforded broader recognition and inclusion. The debate continues to spark conversations on the broader issues of citizenship, belonging, and equal opportunities within Nigeria’s diverse society.
Nigerian thrower Vincent Ugwoke produced one of the most significant performances in Nigerian field event history, launching a massive personal best of 63.89 metres to claim the bronze medal in the men’s discus throw at the NCAA Outdoor Track and Field Championships.
Sports247 reports that the outstanding effort not only secured Ugwoke a place on the podium but also elevated him into the history books, recording the furthest discus throw by a Nigerian athlete since 2004.
Competing against one of the strongest collegiate fields in the world, Ugwoke delivered when it mattered most, producing a career-best mark to earn his first NCAA medal and underline his growing status among Nigeria’s elite field athletes.
The event was won by Jamaican star Ralford Mullings, who captured gold with a throw of 65.81m, while compatriot Racquil Broderick secured silver with a personal best of 64.15m. Ugwoke’s 63.89m throw completed the podium and ensured Nigeria was represented among the medal winners.
Beyond the medal itself, the significance of the performance lies in its historical context. Nigerian athletics has traditionally been known for its success in sprinting and jumping events, making Ugwoke’s achievement particularly noteworthy.
His mark stands as the best by a Nigerian discus thrower in more than two decades, highlighting both the quality of his performance and its importance for the development of field events in the country.
The bronze medal also caps an impressive season of progress for the Nigerian, whose steady improvement culminated in a breakthrough performance on one of collegiate athletics’ biggest stages.
Delivering a personal best under championship pressure is a testament to both his preparation and competitive mindset.
For Nigerian athletics, Ugwoke’s achievement serves as a reminder of the growing depth of talent emerging across different disciplines.
His success could provide inspiration for a new generation of throwers looking to make their mark nationally and internationally.
With a personal best, an NCAA bronze medal, and a place in the record books now secured, Vincent Ugwoke leaves the championships having achieved a truly memorable milestone.
His 63.89m throw will be remembered as one of the finest Nigerian discus performances of the modern era and a significant moment in the resurgence of Nigerian field events.
