Plateau State, celebrated for its scenic landscapes and rich cultural diversity, holds another treasure—its thriving creative talent. However, the state’s vibrant pool of painters, writers, musicians, comedians, filmmakers, fashion designers, and digital creators remains largely overlooked and unsupported. This systemic neglect has stifled an industry capable of transforming the state’s economy and cultural identity.

A recent commentary by Engr. Tony Nakale on Facebook highlights the plight of Plateau’s creative sector. He describes a state where creatives echo in a vacuum of neglect, with successive administrations failing to provide the necessary infrastructure and support. While governments report substantial investments in the arts, the benefits rarely trickle down to the creatives themselves. Instead, events feature talent flown in from other states, with Plateau’s homegrown artists relegated to the sidelines.

Nakale’s critique extends beyond financial neglect. Plateau lacks institutional frameworks such as art hubs, mentorship programs, and grants to nurture its creative talent. This void has forced many young creatives to leave the state for better opportunities. Those who stay struggle against overwhelming odds to fund, market, and showcase their work.

Nakale argues that the situation is not just a cultural oversight but an economic failure. Globally, the creative industry drives employment, tourism, and cultural diplomacy. With its abundant talent and rich heritage, Plateau could leverage these resources to position itself as a creative hub in Nigeria.

Nakale’s message is a clarion call to the Mutfwang administration to break the cycle of neglect. He urges the government to prioritize the creative sector as a strategic tool for development. Among his proposals are:

• Establishing Creative Hubs: Spaces for collaboration, innovation, and talent development.
• Providing Financial Support: Grants and funding to empower local artists.
• Fostering Mentorship and Training: Programs to guide young creatives and build capacity.
• Integrating Creativity into Policy: Recognizing the arts as an economic and social driver in state planning.

“This administration has a chance to change the narrative,” Nakale writes. “Let Plateau become a pioneer in fostering creativity, not just within the middle belt but across the nation.”

The neglect of Plateau’s creative industry reflects a broader issue in Nigeria, where the arts often take a backseat to other sectors. Yet, states like Lagos have demonstrated the transformative power of investing in creativity, yielding economic growth and cultural prestige. Plateau could follow suit, capitalizing on its unique blend of talent and heritage to create a thriving creative economy.

Nakale’s message is clear: Plateau’s creatives are not seeking handouts; they are demanding a platform. The time has come for action, not token gestures. The Mutfwang administration must recognize the untapped potential within the creative sector and make bold, meaningful investments.

By empowering its artists, Plateau can chart a new course—one where creativity thrives, talent is nurtured, and the state takes its rightful place as a beacon of innovation and culture. The time for change is now.

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