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GRAI believes AI can make music more social, not replace artists

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Today’s AI music startups, like Suno and Udio, offer technology that leverage artifical intelligence for music generation. But a new company, GRAI, believes that most people don’t want to use AI to generate music from scratch — they’d rather do other things like remix tunes, share them with friends, or play around with tracks by doing things like changing a track’s style, just for fun.

Of course, whether or not an artist wants anyone to play around with their tracks, or to what extent, is something they should get to decide.

Music lab GRAI, now backed by a $9 million seed round, wants to put that control in artists’ hands, while also capitalizing on the power of AI to transform how consumers engage with music.

The company, built by Belarusian founders who previously sold their video creation app VOCHI to Pinterest, is experimenting with new AI music products. Today, this includes apps like the remixing app Music with Friends for iOS and another AI music playground for Android. These apps, and others that may ship in the future, will help to inform the company how consumers want to engage with music beyond AI-enabled creation or listening alone.

Image Credits:GRAI

“The idea that we’re building the company around is what the next thing can be in music AI interaction and consumption,” explains GRAI co-founder and CEO Ilya Liasun, who is currently based in Poland alongside much of the team. He says the main reason the founders started GRAI is that music has become one of the last major consumer categories that hasn’t gone “creator-first.”

“We have problems — discovery is broken, listening is passive, and social context is almost non-existent,” Liasun notes.

Meanwhile, he doesn’t think that AI will kill artists and labels, as some fear. Instead, the team at GRAI believes that AI could lead to new ways to engage with music, beyond just creating a tune through generative AI technology.

The company intends to aim its products at Gen Z and Gen Alpha users who tend to discover new music through culture, meaning friends, fandoms, and through short-form content, like TikTok. These users don’t want to be creators or music producers; they just want to participate somehow.

Image Credits:GRAI

To power its social apps, GRAI developed its own taste and participation graph as well as its own infrastructure. It’s building a “derivatives pipeline” as well as real-time audio systems that will preserve the identity of original tracks while allowing them to be transformed.

As Liasun puts it, the company’s goal is to work with artists and their labels to make this type of activity legal. And the end result isn’t more unwanted AI music.

“We don’t want to share new genAI slop to the streaming service. We actually focus on the interaction part,” Liasun says.

Image Credits:GRAI

The idea is that users could play with tracks inside GRAI’s apps, perhaps remixing a favorite tune, or changing its style. Ultimately, those modified tracks could create a new source of royalty payments to the artists and labels.

The company says it didn’t start building its social apps before going to the labels for permission. Instead, notes Liasun, it’s talking to the labels first.

“The main idea here is that we want to build a future system in which artists will have the ability to opt in and opt out.” That, he says, is a core belief at GRAI: “first, ask owners, and then integrate it.” (Liasun declined to disclose if it already has agreements in place or with what companies.)

If this type of music remixing activity becomes popular, GRAI believes it could help people discover new artists and songs outside of larger platforms like Reels, TikTok, or YouTube.

With its initial apps, GRAI hopes to receive consumer feedback — even negative feedback — to help it find out what works and what doesn’t.

Image Credits:GRAI

The company, co-founded by CTO Dima Kamarouski and Andrei Avsievich (President), is now backed by $9 million in seed funding in a round co-led by Khosla Ventures and Inovo vc. Other investors also participated, including Tensor Ventures, Tiny.VC, Flyer One Ventures, a16z Scout Fund, and various angels, such as Andrew Zhai (ML in Cursor, co-founder of Genova Labs, ex-Pinterest); Greg Tkachenko (founder of Unreal Labs, ex-Snap); Rob Reid (Founder of Rhapsody), and Dima Shvets (of MirAI and Reface).

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Nigerian Wonderkid “Ostilo” Begins Trials With Turkish Giants Beşiktaş

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Former Nigeria U17 international Adewale Quadri, popularly known as “Ostilo” among teammates and close friends, has officially commenced trials with Turkish giants Beşiktaş J.K. youth team.

The highly-rated Nigerian youngster is currently being evaluated by the Istanbul-based club as he continues his pursuit of a breakthrough opportunity in European football.

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Sources close to the player indicate that Quadri has already begun making positive impressions during the trial period with his performances, attitude, and work ethic attracting attention within the club setup.

The talented prospect has reportedly shown strong determination, technical ability, maturity on the ball, and attacking quality during training sessions and evaluation matches.

Known for his confidence, creativity, and energetic style of play, the former Nigeria U17 player continues to strengthen his reputation as one of the exciting young Nigerian talents aiming to establish themselves abroad.

Beşiktaş—popularly known as the Kara Kartallar (Black Eagles)—remain one of the biggest and most historic clubs in Turkish football, making the opportunity another important milestone in Quadri’s young career.

Football followers and supporters close to the player remain hopeful that the talented Nigerian can successfully complete the process and secure a permanent place within the club’s development system.

For Adewale Quadri, the trial represents another major step toward achieving his European football dream while proudly representing Nigeria on the international stage.

As the evaluations continue in Turkey, many will now be eagerly waiting for positive news regarding the future of the promising youngster known as “Ostilo.”

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FAAN announces additional health screening measures, enhanced Ebola surveillance at Nigerian airports

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The Federal Airports Authority of Nigeria (FAAN) has assured travellers and other airport users that enhanced health surveillance measures have been activated across the country’s international airports following renewed Ebola concerns in parts of Central Africa.

In a statement issued on Wednesday, FAAN said the measures were introduced in collaboration with Port Health Services, the Nigeria Centre for Disease Control and Prevention (NCDC) and other relevant agencies to strengthen preparedness and prevent possible health risks.

According to the authority, surveillance and passenger monitoring have been intensified, particularly for travellers arriving from high-risk regions.

“Passengers are being screened for symptoms associated with Ebola, and any suspected case will be promptly isolated and subjected to secondary health checks in line with established national and international health protocols,” the statement said.

FAAN noted that additional emergency response procedures have also been reinforced while airport personnel have undergone increased sensitisation as part of precautionary efforts.

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The authority stressed that there is currently no confirmed Ebola case in Nigeria but said it remains vigilant in safeguarding public health and ensuring safe airport operations.

“FAAN remains vigilant and fully committed to safeguarding public health and maintaining safe airport operations,” the agency stated.

READ ALSO: FAAN nabs four unauthorised persons at Akure airport

Passengers were also advised to remain calm, cooperate with health screening procedures and report any symptoms to health officials at the airports.

The development comes as health authorities across parts of Africa continue to monitor Ebola-related concerns and strengthen border surveillance to prevent cross-border transmission.

Nigeria’s aviation and health authorities have previously activated similar emergency screening measures during periods of global and regional disease outbreaks, including the COVID-19 pandemic and earlier Ebola scares.


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