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The Human Cost Of Jungle Justice

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By Martha Agas, News Agency of Nigeria (NAN)

Aliyu Ummulkhairi, 35, left her home in Sabon Gari, Mararaban Jos, Kaduna State, on June 21 to attend an Islamic lecture at Madrasat Tashiyhul Iman.

Unfamiliar with the neighbourhood, she stopped to ask some children for directions. Because local residents were already on high alert over rising kidnapping fears, this harmless exchange quickly drew hostile attention.

Some residents accused her of being a child kidnapper. Within a short time, the allegation sparked mob violence. She was attacked, killed and her body was set ablaze.

The Police Command in Kaduna State condemned the incident in a statement by its Police Public Relations Officer, DSP Mansir Hassan.

Hassan said that at about 10 a.m., the Divisional Police Officer in Mararaban, Jos, received a distress call that a woman was being attacked by a mob over allegations of child theft.

He said officers rescued Ummulkhairi and took her to the station for protection, but a mob allegedly overpowered the officers and forcibly took her away.

Police say so far 17 suspects have been arraigned in addition to 33 other suspects who have been charged with criminal conspiracy and unlawful assembly in relation to the case.

Even though her husband, Aliyu Muhammad, alleged that the police handed her over to the mob. The allegation prompted the Inspector-General of Police to order an investigation by the Force Criminal Investigation Department.

On July 26, Ibrahim Pilasar Mbaya, 25, popularly known as “Ibee” a model and chef, was allegedly tortured to death at an off-campus residence in Jos North Local Government Area of Plateau State.

The suspects, who have since been arrested, allegedly accused Mbaya of stealing an iPhone 12.

Viral videos and photographs showed the victim tied up and suspended while being assaulted. In another clip, he was seen lying on the ground as he was repeatedly beaten with a wooden plank.

The Police Command in Plateau, in a statement issued on July 27 by its spokesperson, Alfred Alabo, said it received information at about 11:20 p.m. from a Good Samaritan at the Jos University Teaching Hospital (JUTH).

The police said Mbaya was confirmed dead while receiving treatment.

The deaths of Ummulkhairi and Ibee illustrate the devastating consequences of jungle justice, where unverified allegations can trigger fatal attacks, deny suspects due process and leave families grieving over preventable deaths.

Beyond the individual decision to attack an accused person, however, lies a complex psychological process that can transform suspicion, fear, and anger into collective violence.

According to a psychologist, Dr Adedotun Ajiboye, a law abiding individual can participate in mob violence because anonymity, group pressure and shared responsibility can weaken personal restraint.

Ajiboye, the Chief Clinical Psychologist at the Department of Mental Health, Ekiti State University Teaching Hospital, Ado-Ekiti, identified de-individuation, conformity, anger, frustration, diffusion of responsibility, and an ‘us-versus-them’ mentality as factors that could fuel such violence.

He said fear could trigger panic and a desire to protect oneself or the community, while anger could create a desire for instant justice or revenge.

Suspicion, he added, could encourage the spread of unverified rumours, making people act before establishing facts.

 

Causes of jungle justice

He explained that individuals could shift from personal judgment to collective behaviours, thereby weakening their sense of responsibility and making them more likely to follow the action of others.

Analysts say the pattern has been evident in several high-profile cases across Nigeria, including the 2012 Aluu killings in Rivers, where four students of the University of Port Harcourt were killed.

The victims were Lloyd Toku, Tekena Elkanah, Chiadika Biringa and Ugonna Obuzor, who were accused of theft, attacked by a mob, stripped, beaten, paraded and eventually set ablaze.

In May 2022, Deborah Samuel, a student of Shehu Shagari College of Education, Sokoto State, was lynched and her body set ablaze by a mob over allegations of blasphemy.

The incident drew national and international condemnation and renewed calls for justice, religious tolerance and respect for the rule of law.

Other reported cases have involved minors accused of petty theft, with allegations over basic food items.

For instance, in November 2020, a 10-year-old boy identified as Ifeanyi was severely burnt in Effium, Ebonyi, after traders accused him of stealing a small measure of uncooked rice.

He was tied up, beaten and thrown into a fire before sympathisers intervened.

Amnesty International says no fewer than 555 victims of mob violence were recorded in 363 documented incidents across Nigeria between January 2012 and August 2023.

The organisation said 57 people were killed by violent mobs, 32 were burnt alive, two were buried alive and 23 were tortured to death.

Amnesty’s research also documented at least 13 women, six children and two people with actual or perceived mental health conditions or psychosocial or intellectual disabilities among victims.

Beyond the immediate loss of life, psychologists say jungle justice leave families grappling with grief, trauma and the consequences of losing loved ones to preventable violence.

Echoing this view, Mrs Naankus Fyaktu, Chairperson of the International Federation of Women Lawyers (FIDA), Plateau Chapter, said women, children and other vulnerable persons remained particularly exposed to wrongful accusations, sexual violence and physical abuse.

She said the consequences extended to families.

“Families are particularly affected when the victim is a breadwinner, as the death can worsen their financial hardship and disrupt their future,” she said.

Ibrahim Mbaya`s younger brother, James, said the killing of the family`s first child devastated his parents and cut short his dreams of owning a fashion house and restaurant while building a modelling career.

For Ummulkhairi`s family, the pain has been compounded by the circumstances surrounding her death.

Her relatives have continued to seek justice while her husband and four children would have to cope with the loss of a wife and mother.

Similarly, after Samuel was killed, the shock affected the health of her mother, Alheri Emmanuel, who said she would no longer send her seven surviving children to school.

Experts say the pattern of trauma is similar and also extends to the wider community, creating fear among residents who worry that an allegation, whether true or false, could expose them to mob violence.

Such consequences also raise broader concerns about the rule of law, as legal experts say jungle justice also violates Nigeria’s constitutional guarantees and undermines the rule of law.

Section 33(1) of the Constitution of the Federal Republic of Nigeria, 1999 (as amended), guarantees every person’s right to life, while Section 34(1)(a) protects individuals from torture and other inhuman or degrading treatment.

Section 36(5) provides that every person accused of a criminal offence is presumed innocent until proven guilty by a court of law.

The Administration of Criminal Justice Act, 2015, provides procedures for the lawful arrest, investigation and prosecution of suspects, leaving criminal allegations to law enforcement agencies and the courts.

Also, the Director, Amnesty International Nigeria, Isa Sanusi, said failures by law enforcement agencies, particularly the Nigeria Police Force, to prevent mob violence, investigate allegations of torture and killings and prosecute suspected perpetrators were empowering mobs to kill.

He said the situation was further compounded by weak and corrupt legal institutions and systems.

Sanusi called for prompt, thorough, impartial, independent, transparent and effective investigations into cases of mob violence and the prosecution of suspected perpetrators through fair trials.

 

Human Cost of Jungle Justice

A security expert, Dr Abdullahi Jabi, said gaps in government agencies’ response times create opportunities for youths to engage in violence.

Jabi, Managing Director and Chief Executive Officer of Kudus International Security Nigeria Ltd., also identified logistical challenges confronting the police, including inadequate vehicles, fuel and timely access to information, as factors that could delay intervention.

“It is a logistical problem arising from lack of vehicle, or no fuel or the driver is not available and then before you get there, the case is worse.’’

According to him, such delays can allow mob situations to escalate and expose security personnel and members of the public to danger.

He also linked mob violence to unemployment, poverty and accumulated frustration among young people.

“Most Nigerian youths have graduated from schools, three years, four years, yet no jobs.

“So, this anger bottle up and they take the anger to the state and take vengeance from innocent citizens within the community and the larger society,” he said.

He also identified social media as a factor that could influence young people and compound social problems, calling for measures to address harmful content accessible to children and adolescents.

Jabi urged the National Orientation Agency to intensify campaigns against youths taking the law into their own hands.

He said addressing jungle justice required improved police capacity, faster response to incidents, stronger community policing, public orientation and measures to improve citizens’ welfare.

Analysts say jungle justice in Nigeria destroys families, traumatises communities, and erodes trust in the legal system.

They say ending this violence requires strengthening public institutions and ensuring fast, fair investigations so suspects face legal trials instead of mob rule. (NAN Features)

Edited by Chijioke Okoronkwo

***if used, please credit the writer and the News Agency of Nigeria.

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‘Youths are huge human capital asset for Nigeria’ — Lamido

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The Peoples Democratic Party (PDP) governorship candidate in Jigawa State, Mustapha Sule Lamido, has said Nigeria’s future depends largely on the commitment, creativity and patriotism of its young people.

In a message shared on his official Facebook page, Lamido encouraged youths across the country to remain innovative, patriotic and committed to shaping a better future for Nigeria.

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Joke Silva urges Nigerian creatives to embrace AI as a tool, not a replacement at QED summit – Technology Times

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Veteran Nigerian actress, director and businesswoman Joke Silva is urging creatives to embrace artificial intelligence (AI) as a tool for enhancing their work rather than viewing the technology as a replacement for human creativity.

Silva made the call on Tuesday at the QED Creative Powerhouse Summit 2.0, themed “Creativity, Culture and Nigeria’s Next Chapter,” where industry stakeholders examined the changing dynamics of Nigeria’s creative economy and the growing influence of technology on creative production.

Speaking on how Nigerian creatives can adapt to the rapid development of AI while preserving originality, Silva says creatives should focus on using the technology to expand their ideas, improve their output and strengthen their creative processes.

“I think one of the ways to do that, a very simple answer without doing a deep dive, is as long as Nigerian creatives see AI as a tool, as a tool, not as something that is there to replace them,” she says.

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Joke Silva, veteran Nigerian actress, director and businesswoman. Image credit: Technology Times/Rilwan Oladapo.

“I think one of the ways to do that, a very simple answer without doing a deep dive, is as long as Nigerian creatives see AI as a tool, as a tool, not as something that is there to replace them,” she says.

AI and the question of creative jobs

The growing adoption of generative AI is raising concerns across the global creative industry, particularly over whether machines could eventually replace writers, filmmakers, designers, musicians, actors and other creative professionals.

Silva, however, says AI should primarily be regarded as an additional resource that creatives can use to strengthen their work, rather than as a substitute for human imagination and experience.

“Whenever you see AI work, you always know that this is AI work,” she says, underscoring what she sees as the continuing importance of the human element in creative production.

Her comments are coming amid a wider debate over the role of AI in an industry where originality, personal experience, cultural context and human interpretation remain important components of creative expression.

Rather than allowing concerns over job displacement to discourage adoption, Silva says creatives should learn how to incorporate AI into their existing workflows.

“I think what is very important is that if we see it as a tool that we can use to enhance whatever it is that we have thought about, the idea that we have, to expand the idea that we have,” she says.

Technology is changing creative production

The discussion comes as AI tools are increasingly capable of generating text, images, video, audio and other forms of creative content.

For Nigerian creatives, the technology is creating new possibilities for developing concepts, producing content and accelerating workflows. At the same time, its growing use is raising questions around originality, intellectual property, skills development and the preservation of local culture.

Silva’s position is that the starting point should remain the creative person’s own idea, with AI serving as an enabler rather than the source of creativity.

The approach reflects an emerging distinction in the creative economy: access to AI tools may become increasingly widespread, but the ability to develop distinctive ideas and translate them into culturally relevant work could remain a key competitive advantage.



 

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Fisayo Fosudo, visual storyteller and technology and finance video producer. Image credit: Technology Times/Rilwan Oladapo.

Fosudo acknowledges that concerns over AI’s potential impact on employment are legitimate, but says creatives should also examine how the technology can save time and improve their production processes. “There are scenarios where that is absolutely true. Then the other thing is the other scenario of how can I leverage this new technology that is saving so much time,” he says.

AI can save time, improve creative workflows

The argument was echoed by Fisayo Fosudo, visual storyteller and technology and finance video producer, who also spoke at the summit.

Fosudo acknowledges that concerns over AI’s potential impact on employment are legitimate, but says creatives should also examine how the technology can save time and improve their production processes.

“There are scenarios where that is absolutely true. Then the other thing is the other scenario of how can I leverage this new technology that is saving so much time,” he says.

According to Fosudo, creatives who learn to integrate AI into their workflows could gain an advantage as technology becomes more deeply embedded in the creative ecosystem.

He compares AI with other tools that creative professionals have adopted over time, including video-editing software and Microsoft Word.

“How can I use this tool to improve my creativity?” he asks, placing AI within the broader evolution of technologies that have changed how creative professionals work.

Human creativity remains the differentiator

Fosudo says AI’s ability to generate content does not eliminate the need for human creativity. Instead, he says the critical question is how individuals use the technology to develop their own ideas and improve their work.

Large language models and AI-powered video systems can help creatives generate and refine ideas, create content and streamline production processes. But the quality and distinctiveness of the final output can still depend heavily on the creative thinking guiding the tools.

This distinction is becoming increasingly important as AI-generated content becomes more common and audiences are exposed to synthetic images, videos, voices and written material.

For Nigeria, the challenge is therefore extending beyond AI adoption. Creatives also need the skills, infrastructure, connectivity, training and business environment required to use the technology productively.



 

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Olumide Iyanda, Founder and CEO of Mighty Media Plus Network and publisher of QED-NG. Image credit: Technoloft Times/Riliwan Oladapo.



“We want creatives to learn how to run businesses, how to sign contracts, how to raise funds, and how to run their business in a way that it will stand whatever challenges people have to face,” Iyanda says.

Nigeria needs stronger creative infrastructure

Fosudo is also calling for stronger infrastructure to support Nigeria’s creative talent, arguing that the country has significant creative potential but lacks sufficient pathways for talent development.

“One thing I would like to see is maybe significantly better infrastructure for creativity, for creatives as well,” he says.

He argues that Nigeria needs systems capable of helping talented people develop their skills and transition into sustainable careers.

“We have so much talent, and our talent is very good,” Fosudo says. “How can we get it to be that we’re not just churning out this talent? There’s actually a pathway for talent to develop their craft, have that talent, and then go into something that is very profitable or very viable.”

The infrastructure gap therefore extends beyond physical facilities. It includes access to technology, training, professional networks, funding and market opportunities that can help transform creative skills into sustainable businesses.

As AI lowers some barriers to content production, the ability to access reliable digital infrastructure and acquire relevant technology skills could become even more important for Nigerian creatives seeking to compete locally and globally.

Creative industry needs stronger business structures

Olumide Iyanda, Founder and CEO of Mighty Media Plus Network and publisher of QED-NG, says the development of Nigeria’s creative industry also requires creatives to approach their work as businesses.

Iyanda says the QED Creative Powerhouse Summit was created to bring participants from different parts of the creative ecosystem together to discuss growth, solutions and collaboration.

According to him, one of the industry’s persistent challenges is that many creatives do not treat their work as a business.

He says creatives need to understand how to sign contracts, raise funds and build businesses capable of surviving the challenges associated with the industry.

“We want creatives to learn how to run businesses, how to sign contracts, how to raise funds, and how to run their business in a way that it will stand whatever challenges people have to face,” Iyanda says.

His comments broaden the AI debate beyond technology itself, highlighting the need for creatives to build commercial structures around their skills and intellectual property.

Nigeria’s creative economy faces a new technology test

The discussions at the summit are pointing to a Nigerian creative industry entering a new phase in which AI is increasingly becoming part of the production process.

For Silva, the priority is ensuring that AI strengthens rather than replaces the human element of creativity.

For Fosudo, the opportunity is in learning how to use the technology effectively to save time, improve workflows and enhance creative output.

For Iyanda, technology adoption needs to be accompanied by stronger business capabilities that can help creatives convert talent into sustainable careers and enterprises.

Taken together, the perspectives are suggesting that Nigeria’s next phase of creative growth will depend not simply on access to AI, but on how effectively creatives combine technology with original ideas, human skills, cultural context and viable business models.

The emerging challenge for Nigeria’s creative economy is therefore not whether AI will become part of creative production. Rather, it is how creatives, businesses and policymakers can ensure that the technology expands opportunities while preserving originality, protecting intellectual property and creating sustainable livelihoods for the people behind the work.

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