Entertainment
Jeremiah Gyang Advocates for Fair Compensation for Gospel and Secular Artists in Exclusive Interview
Renowned Nigerian singer-songwriter, instrumentalist, and record producer, Jeremiah Gyang, has expressed his support for artists, both in the secular and gospel music genres, who charge fees for performing at churches and selling tickets for their concerts.
In an exclusive interview with Matthewtegha Blog, Gyang, widely recognized as one of Nigeria’s most versatile artists, shared his perspective on the moral acceptability of gospel musicians requesting payment for their performances. He emphasized that there is nothing ethically wrong with this practice.
Gyang firmly defended musicians in the Christian space, asserting that they should not face criticism for setting gate fees for their concerts. He passionately stated, “He that labors to plow should not be stifled, so if artists are holding concerts and charging fees, the audience should be willing to pay. It doesn’t matter whether the music is gospel or secular; if there’s a ticket price, it should be respected. If you appreciate their work, pay the fee. If you don’t, then abstain from paying, but complaining about it is a sign of disrespect for the hard work of these artists.”
The multitalented artist explained that organizing concerts involves substantial financial investment. He pointed out, “Some may argue that it’s all about money, but one must understand that hosting concerts requires funding. You can’t approach a venue owner and expect to use their facility for free while expecting blessings, just as you can’t ask an instrument seller to provide instruments without payment.”
Drawing from personal experiences, Gyang revealed the hardships he faced in the past while working with his band, emphasizing that similar challenges led to the disbandment of his group. He said, “I’ve been in situations where I had to tell my band that we should proceed with a performance and rely on divine blessings, only to end up going home hungry. This has resulted in the dissolution of my band several times, sometimes leaving me as a one-man band. People have high expectations when they associate my name with a performance.”
Jeremiah Gyang said he believes that fair compensation for labor is an essential principle. He argued that there is no distinction between gospel and secular musicians in the Bible and that anyone who works in the music industry deserves to be paid for their efforts. He further noted, “Even musicians who serve in churches and perform on pulpits should receive compensation, as it is a fair practice. When audiences enjoy the music but refuse to pay, they indirectly disrespect the musicians and, in a way, disrespect the prophets.”
To support his viewpoint, Gyang referenced Nehemiah 12:46 and 47 from the King James Version (KJV) of the Bible, highlighting the biblical order that he believes is missing in many churches today. He asserted that both musicians and ushers should be supported financially by the church to prevent misbehavior and misconduct, and if any issues arise, the church bears the responsibility.
In addition, Gyang cited Nehemiah 13:10, emphasizing that the daily sustenance of musicians should come from tithes and offerings. He argued that today’s gospel musicians should be compensated using these resources.
Addressing the theme of his music and his connection with the audience, Jeremiah Gyang explained, “I have two distinct audiences: those who appreciate my message and those who enjoy my music. To connect with the music enthusiasts, I emphasize the artistic beauty of my work. However, for those who engage with my message, my focus has been on repentance, return, and rising because my music’s purpose is to contribute to nation-building and encourage people to return to God, as only He can save us, given the limitations of the government. I also perceive a fundamental issue within the Christian Church, where it appears they are not effectively guiding people back to God but are becoming more focused on industry service.”
Entertainment
Jos Gunners Set for Mega Celebration as Arsenal Victory Parade, UCL Watch Party Hit the City
Jos is set to come alive in Arsenal colours as fans across Plateau State prepare for the much-anticipated Jos Arsenal Victory Parade, UEFA Champions League Watch Party, and Arsenal Awards Night in what promises to be one of the biggest fan gatherings in the city.
The event, described as the ultimate Gooners’ link-up, will bring together Arsenal supporters from across the state for an evening packed with celebration, entertainment, and football passion — with free entry for everyone.
Activities kick off on Saturday, May 30, with the Victory Parade scheduled to begin at 3:00 PM sharp from Terminus, by Zenith Bank, as fans are expected to flood the streets in Arsenal jerseys to celebrate in style.
The celebration will then move to Tamarald Event Centre (Outdoor), off Old Airport Junction, from 4:00 PM, where guests will enjoy an exciting lineup of activities.
Organisers have promised premium entertainment featuring free party jollof for the first 50 attendees, sizzling barbecue, music performances, comedy, dance showcases, special Arsenal awards presentations, and the official launch of a brand-new Arsenal-themed song.
Supporters are simply encouraged to show up in their Arsenal jerseys and be part of the unforgettable experience.
The event is supported by Areo Global Services, Malangwa Media Empire, Nugroove Multimedia, Grace Dimensions Ministries, Dabels Cakes and Catering, Jos Metro Foods, Da Zone Concepts, Joe B Entertainment, Royal K.O.C, and the Gunners Rhythm Gang.
For enquiries, support, and table reservations, interested participants can contact:
07031001105
08126007839
For Jos Gooners, this is more than an event — it is a celebration of football, community, and Arsenal pride.
Entertainment
Jah Device’s Global Rise Gains Momentum as BusinessDay Sunday Spotlights Nigeria’s Reggae Ambassador
The global reggae movement is witnessing the rise of a new African voice as Nigerian reggae sensation Jah Device continues his remarkable journey from the hills of Jos, Plateau State, to the international music stage. The fast-rising artiste recently achieved another career milestone after earning a special feature in the entertainment section of BusinessDay Sunday, one of Africa’s leading English-language newspapers.
The publication highlighted Jah Device’s artistic journey, influence, and contribution to Nigeria’s entertainment industry, further cementing his place among the country’s most promising reggae exports. The recognition not only celebrates his growing impact but also shines a spotlight on Plateau State as an emerging hub for creativity, culture, and musical excellence.
Known offstage as I Am Device, Jah Device has steadily built a reputation as an international reggae musician, songwriter, producer, and performer whose music blends conscious messaging, spirituality, social commentary, and rich African rhythms. His sound is driven by thought-provoking lyrics, melodic harmonies, and pulsating live instrumentation — elements that have distinguished him within the reggae community both locally and internationally.
Signed to Stingray Records UK, Jah Device has continued to expand his global footprint through collaborations and projects that connect Africa, Europe, the Caribbean, and beyond. His works have reached international audiences through strategic partnerships and distribution support from Bob Marley’s legendary Tuff Gong International in Jamaica — a major milestone for any reggae artiste seeking global relevance.
Among his notable releases is Love And Sacrifice, a project that brought together respected international reggae figures including Anthony Red Rose, Michael Buckley, and Natty King. The collaboration reinforced Jah Device’s position as an artiste capable of bridging cultures while maintaining an authentic African reggae identity.
Currently, the Jos-born star is working on an international project with producer Zige Dub featuring collaborations with Troy Anthony from Bermuda, House of Riddim in Austria, and I Am That I Am Records in Jamaica — an effort expected to further elevate his profile on the global reggae scene.
Beyond music, Jah Device remains deeply invested in community building and cultural development. He is the convener of the annual Rocky Road Music Festival, an initiative that provides a platform for talent discovery, artistic expression, and cultural exchange while promoting Plateau State’s creative ecosystem.
His journey also reflects a multifaceted personality. Away from the stage, Jah Device is passionate about studying the Word, sports including judo and football, fishing, beekeeping, and travelling. Over the years, he has represented Africa at several international events, including engagements in Jamaica — the spiritual home of reggae music.
Speaking during the BusinessDay Sunday feature, Jah Device emphasized the role of entertainment as a driver of economic growth and social transformation. He described music as one of the strongest hopes for Nigeria’s economy, particularly for young people seeking opportunities, empowerment, and self-expression.
As a brand ambassador for The Mayor of Housing Nigeria and an emerging cultural voice from Africa, Jah Device’s story is becoming more than a musical journey — it is evolving into a movement of purpose, identity, and international influence.
From Jos to Kingston, London to Austria, Jah Device is carrying the sound of Africa to the world stage, proving that reggae remains a universal language and that Plateau State has yet another global ambassador in the making.
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