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Enchanting Plateau 2026: Artists Challenged to Imagine Plateau State at 100 as Exhibition Opens Call for Entries

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By Jos Events

The Enchanting Plateau Art Exhibition has unveiled its 2026 edition, challenging artists and creatives across disciplines to look beyond Plateau State’s present realities and imagine the kind of society future generations could inherit when the state clocks 100.

The 2026 edition, themed “100” (50 strong, 50 forward) was officially unveiled on Tuesday, August 11, 2026, during a press conference held in Rayfield, Jos, where organizers announced the opening of the call for entries and unveiled plans for an expanded celebration of Plateau’s culture, heritage, creativity, identity and future.

The exhibition, which coincides with Plateau State’s 50th anniversary, is designed to use art and creative expression as a tool for reflecting on the state’s journey over the past five decades while opening conversations about its next 50 years.

At the heart of this year’s edition is a question organisers are asking creatives to answer through their works:

“What story will we tell when Plateau State turns 100?”

Telling Plateau’s Story Through Art

Convener of Enchanting Plateau, Mr David Thomas, said the exhibition was established to tell the story of Plateau State through creative expression while creating meaningful platforms for artists and other creatives to gain visibility, develop their talents, build sustainable careers and connect with wider opportunities.

According to him, Enchanting Plateau has continued to grow beyond a conventional art exhibition, with the platform creating opportunities for young people through art competitions for secondary school students, masterclasses and other capacity-building programmes designed to identify and nurture emerging creative talents.

Thomas noted that the growth of the exhibition is a reflection of the enormous potential within Plateau State’s creative sector, particularly in the areas of cultural preservation, tourism, employment generation and economic development.

He said the broader vision is to contribute to positioning Plateau State as one of Nigeria and Africa’s leading cultural and creative destinations.

Artists Asked to Imagine Plateau at 100

The central focus of the 2026 edition is Plateau State’s 50-year journey and its future.

Participating artists are being encouraged to explore the state’s history, document its present realities and, most importantly, imagine what Plateau could become over the next five decades.

The organisers are calling on creatives to use their works to explore themes around identity, heritage, unity, development, innovation, environment, culture, tourism, technology and the aspirations of the people.

Rather than simply looking backwards, the exhibition seeks to encourage a forward-looking conversation about the Plateau State that residents want to build and leave behind for future generations.

More Than an Art Exhibition

Creative Director of Enchanting Plateau, Mr Jerry Jallo, explained that the initiative goes beyond the traditional concept of an art exhibition.

According to Jallo, Enchanting Plateau is designed as a multidisciplinary creative platform that brings together artists and creatives from different fields, allowing them to interact, collaborate and communicate through a shared creative experience.

He explained that the exhibition is built around three major components: the main visual art exhibition; seminars, workshops and masterclasses; and evening performance art exhibitions.

The evening performances, he said, will be carefully curated to create a unique and intimate experience for both artists and audiences, with activities expected to include acoustic presentations and opportunities for direct interaction between performers and attendees.

The concept, he added, is designed to bring different creative disciplines together and demonstrate how music, poetry, visual art, fashion, literature, performance and other forms of expression can tell a collective story.

“The Event Itself Is an Artwork”

Jallo described Enchanting Plateau as an experience in which the event environment itself becomes part of the creative expression.

He explained that the creative direction is inspired by the elements that connect people across Plateau State, with nature playing a significant role in the design and atmosphere of the exhibition.

Features such as rocks, vegetation and waterfalls are expected to influence the event’s set design, while other visual elements will be used to evoke emotions connected to happiness, childhood memories and shared experiences.

He summed up the creative philosophy by saying:

“The event itself is an artwork.”

The 2026 edition will bring together creatives from various fields, including musicians, poets, visual artists, writers, photographers, designers and other creative practitioners.

Art, Music, Fashion, Culture and Cuisine

Enchanting Plateau 2026 is expected to offer a broad range of activities beyond visual art.

The programme will feature curated art displays, competitions, music and performance, masterclasses, seminars, workshops, panel discussions and community engagement activities.

Visitors will also have opportunities to experience local crafts and enjoy homemade cuisines, further creating a platform where Plateau’s cultural identity can be experienced through multiple senses and creative disciplines.

The organisers are collaborating with Tin City Fashion Week and Experience Plateau to create what they describe as a unique and immersive creative experience that brings together art, fashion, culture, tourism, music and heritage.

Call for Entries Opens August 12

The official call for entries opens at midnight on August 12, 2026, and will close on October 25, 2026.

The call is open to a wide range of artists and creatives, including:

  • Painters
  • Sculptors
  • Photographers
  • Illustrators
  • Digital artists
  • Textile artists
  • Installation artists
  • Performance artists
  • Writers and other creative practitioners

Interested creatives are expected to submit their works through the official Enchanting Plateau website: www.enchantingplateau.com

The main exhibition is scheduled to take place in November 2026, with the exact dates expected to be announced by the organisers.

Seeking Wider Partnerships and Sponsorship

While the initiative has attracted government attention and support, organisers say there is still a need for stronger partnerships and sponsorship to expand the reach and impact of the 2026 edition.

They are therefore calling on individuals, organisations, businesses, cultural institutions, government agencies and other stakeholders who believe in the power of creativity to partner with the initiative.

The organisers believe that investing in creative platforms such as Enchanting Plateau can help create opportunities for artists, strengthen cultural tourism, preserve heritage and contribute to the growth of Plateau State’s creative economy.

Looking Beyond Plateau at 50

As Plateau State celebrates 50 years, Enchanting Plateau 2026 seeks to turn the milestone into more than a commemoration of the past.

Through the theme “100” (50 Strong, 50 Forward) the exhibition invites creatives to reflect on where Plateau has come from, examine where it stands today and, most importantly, imagine where it could be in another 50 years.

The initiative hopes to create a space where artists can ask difficult questions, celebrate the state’s identity, highlight its possibilities and present new visions for its future.

Ultimately, Enchanting Plateau 2026 is inviting artists to help paint a picture of Plateau at 100 — not just as it is today, but as they dream it could become.

For artists and creatives ready to tell that story, the journey begins with the call for entries opening August 12, 2026.

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Peter Obi: Labour Party won 2023 presidential election – AA’s Joseph Faduri

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A presidential aspirant of the Action Alliance, AA, Joseph Faduri, on Thursday insisted that the Labour Party (LP) won the 2023 presidential election.

Faduri disclosed this while recalling how he informed the then LP presidential candidate, Peter Obi, that he would win after handing over the party’s flag to him.

Recall that Obi came third behind former Vice President Atiku Abubakar, who contested on the platform of the Peoples Democratic Party, PDP, and eventual winner President Bola Tinubu of the All Progressives Congress, APC.

The Independent National Electoral Commission, INEC, had announced Tinubu of the APC as the winner of the election after he polled 37 percent of the votes, while Atiku got 29 percent and Obi got 25 percent.

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However, Faduri, while featuring on Arise Television’s Morning Show, said: “My name is Joseph Faduri, for those who are seeing me for the first time.

“In 2022, I was the one who handed over the ticket to run for the election under the Labour Party, and I was here also to inform Nigerians that LP would win that election.

“And, like a joke, at the end of the day, we had Labour Party win that election.”

Faduri also spoke about INEC Chairman Joash Amupitan not recognising a court order acknowledging Kenneth Udeze as the authentic leader of the AA.

He added: “Now, the court order that Amupitan was referring to was the court order of a High Court in Osogbo. Under our constitution, a Court of Appeal is higher than a High Court.

“So, if a kangaroo judgment was obtained from the High Court and the authentic leader of the party, Kenneth Udeze, went to a Court of Appeal in Abuja to say, ‘No, that man is not the authentic leader of the party,’ and the court upheld that, then you will imagine that an INEC Chairman, who is supposed to be a referee, should obey a court order.

“But instead of obeying the order of the Court of Appeal, the INEC Chairman is sticking with the old order of the High Court and refusing to obey the Court of Appeal, and the reason is best known to him.”

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Anthony Joshua Drills Himself In Gruesome Training With ‘Ancient Stretching Technique’

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Nigerian-born former two-time world heavyweight boxing champion, Anthony Olaseni Oluwafemi Joshua has stepped up his training routine with some gruesome drills ahead of his long-awaited grudge fight with fellow-Briton, Tyson Fury later this year.

Sports247 gathered that, in order not to be caught off guard by the very resilient Fury during their hugely expected bout in December, Joshua has resorted to an ancient method of stretching his body to the limit, while staying in peak shape.

Joshua, who has always been known to devote himself to tough physical drills during training, is keeping himself trim for the clash with the help of an ancient stretching machine, as the countdown gets tighter towards their epic bout in Cardiff, Wales on December 11th.

With the fight’s venue eventually taken away from Madison Square Garden in New York, USA, after Joshua’s camp held firm on it holding in the UK, the London 2012 Olympic Games gold medalist wants to take full advantage of stepping out on familiar terrain.

Before Cardiff was eventually chosen, both boxers continued raising contrasting views and exchanged hostile banter but, with the issue now solved, Joshua has shared a video of himself hooked up to a modern-day version of an ancient body suspension and stretching kit.

A report by UK’s SunSport adds, “In medieval times, Slavic martial artists and warriors would use a version of the machine to strengthen their tendons and open up their joints to stay combat-ready.

“Joshua looks to be just that after having his limbs and back contorted by the gruelling apparatus. At one point in the video, AJ was suspended in the air by his arms and legs (then) effortlessly twisting his core and lower back nearly 180 degrees.”

Sports247 reports further that it us now left to be seen if the unorthodox fitness technique would be good enough not only to keep ‘AJ’ in peak shape but also build his staying power, ahead of what could jolly well be a long night in the roped square with ‘The Gypsy King.’

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